‘The School for Good and Evil’ Book Tag

Thanks Sabrina @ Notes from a Paper Plane for creating this tag and tagging me! It’s actually the first time I’ve been tagged on here, so I’m really excited! Be sure to check out Sabrina’s post!

*Header art by Iocopo Bruno*.

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It's Monday, What are you reading? #IMWAYR

It’s Monday! Borrowed this meme from Ali @ Our Book Boyfriends , who borrowed it from a long list of other bloggers. This meme is an opportunity to update everyone on what I read last week, what I’m reading now and what’s on the old TBR pile. And also, to connect with others in the book community.

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Girl's Guide to Surviving in a YA Dystopia

These are strange times and they’re only getting stranger. Luckily, I’ve read enough YA Dystopian novels over the years to be prepared. Here’s your comprehensive survival guide to getting through these tough times.

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Diversity in Fantasy: We Can Do Better.

One of the best things about writing in the fantasy fiction genre is that anything goes. I’m not saying there aren’t rules – there are – Harry Potter wasn’t able to bring his parents back from the dead, the One Ring gave Frodo powers, but not without consequence.  If done correctly, magic or superpowers shouldn’t be a panacea to all life’s problems or there would be nothing at stake, nothing for our hero to overcome or run up against. There are limits to magic and rules that govern fantasy worlds.   But – the good news is, as a writer – you make the rules!  You can create a fictional world of fish people, so long as you can convincingly explain to the reader how they’re able to breath under water, what kind of teeth they have for eating prey and how they’re able to navigate the darkest depths of the ocean.  Fantasy – no matter how far-fetched – must have a basis in reality or you risk the reader suspending their disbelief.

Which is why a lot of fantasy worlds draw from science, historical events, real people or historical periods.  Doing this provides the reader with a recognizable framework through which to view the world.  Going forward, let’s call that framework belief glasses.  As long as the writer provides the reader with a pair of belief glasses, the reader should be able to comfortably navigate the writer’s world and not get taken out of it.  So when you’re creating those glasses, why create ones that only see white people?  Why create glasses that can see dragons but not women in positions of power?  Why not make full-spectrum glasses?

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